Surman’s writing for the combination of a terrifically talented string quartet, the richly resonant double bass of Chris Laurence and his own solo improvisations represents a supremely personal approach to chamber music. In a history stretching back over 15 years, their recordings and performances have entranced listeners and drawn critical acclaim – ‘a total joy; the best record I’ve heard this year’ said Jazzwise of their 2006 CD, The Spaces In Between.
Tonight’s concert will also feature the European premiere of Three Landscapes, a chamber work for strings, saxophones and recorder, written for the Australian recorder virtuoso, Genevieve Lacey.
Surman’s collaboration with this big band of massive energy and spirit has produced a recording of original music.
Another Sky provides a tremendous setting for the band’s fine range of individual soloists - the emotionally charged alto playing of leader Olav Dale being a special highlight, as are Surman’s own rumbustious excursions on baritone and soprano saxophones.
Bergen Big Band has an impressive pedigree over two decades – a myriad of projects include playing with jazz icons Phil Woods and Joe Henderson, as well as innovative forces such as Maria Schneider, Terje Rypdal and Dino Saluzzi. The massively influential Norwegian singer Karin Krog will join Surman and the band on stage as a special guest.
Calling all aspiring writers!
• Looking to improve your writing skills and understanding of music press? • Want to take part in an initiative that has seen participants go on to be published in the Guardian, The Wire and Jazzwise? • Fancy reviewing shows during EFG London Jazz Festival? • Available Friday 14 November (evening), Saturday 15 November, and Wednesday 19 to Sunday 23 November?
If you answered yes to all of the above,click herefor more information and submit a 300-word live review and CV by Monday 1 September.
Charlie Haden Remembered
All of us at Serious were saddened to hear that Charlie Haden had lost his battle with a prolonged three years of falling health. One of the defining figures in jazz since the 50s, his career ranged from the radical experimentation of the original Ornette Coleman Quartet in the late fifties, to his explorations of West Coast noir with the wonderful Quartet West, and the Liberation Music Orchestra, where Charlie’s profound belief in a better world manifested in Carla Bley’s evocative arrangements of songs of revolution, yearning and a demand for political change. Indeed, the last two bands formed the basis of a memorable residency at the Barbican in 2011, where he played two concerts of complete and breathtaking contrast – regrettably to be his last in the this country, and not far from being his last anywhere in the world.
Charlie was part of the life of Serious for the very beginnings of the company back in the 80s, but even before then, I’d got to know him as a complex and passionate man, with a devastating sense of humour who could tell jokes with the timing of the great comedians. First through a concert by Old and New Dreams, the quartet of old Ornette hands that brought together Charlie, Don Cherry, Dewey Redman and the irrepressible swing of New Orleans drummer Ed Blackwell; and then by road managing three European tours of the Liberation Music Orchestra, the first of which included recording the memorable Ballad of the Fallen for ECM – a roller coaster of a ride that produced some of the finest musical energy that I’ve experienced, and some long-standing friendships. Often under very unexpected circumstances…
In the early days of Serious, Charlie was a featured artist at the Camden Jazz Week – the precursor to today’s EFG London Jazz Festival – in 1987, where he collaborated with composer Gavin Bryars and the Balanescu Quartet. We produced concerts and a Contemporary Music Network tour with his consummate trio with Geri Allen and Paul Motian, and, later, his duet with Pat Metheny – the collaboration that recorded a landmark piece of chamber Americana, Beyond the Missouri Sky (Short Stories), where Charlie’s childhood background as a member of his family country band re-emerged to extraordinary effect. And re-emerged again when he recorded Rambling Boy and an accompanying biographical film, an album of country songs with his own hugely talented family – both well worth checking out.
In recent years, Charlie played some terrific London concerts with Quartet West, and was a featured artist at Ornette Coleman’s Meltdown, where we worked with him to form an Anglo-American Liberation Music Orchestra which included some never-to-be-forgotten moments – the very rare appearance of Robert Wyatt to sing Song for Che was one; the other, a piece of jazz history that brought Ornette, Charlie and Denardo Coleman together to play a definitive take on Ornette’s Lonely Woman ‘one of the most beautiful of jazz ballads’, as John Fordham wrote in the Guardian).
And finally, the Barbican residency, where the Anglo-American Orchestra re-formed to great effect, and where Quartet West played a blinder of a set, from Ernie Watts’ storming saxophone solos to delicately-nuanced ballads from Melody Gardot, an on-fire Lianne Carroll and Charlie’s partner and muse, Ruth Cameron, that tugged at the heartstrings. And at the real heart, and despite already failing health, Charlie Haden’s extraordinary bass sound and swing. Never one for technical display, every note carefully and thoughtfully placed, and an uncanny sense of time and space. And that’s what will be missed the most – whatever the musical setting (and there were many, many more), Charlie Haden was a one-off.
Finally, a piece of anorak rock and jazz lore: the riff of Ian Dury’s Sex and Drugs and Rock and Roll is lifted from Charlie Haden’s bass line in the recording of Ramblin on Ornette Coleman’s 1959 album Change of the Century, itself lifted from an old Kentucky folk song. Check it out.
There are many tributes now on the web, but well worth checking out Richard Williams’ piece on his terrific blog, The Blue Moment.
EFG LONDON JAZZ FESTIVAL – JULY ANNOUNCEMENT
This month’s announcement sees yet more world-class talent heading to London in November. With a particular focus on the strength of the European scene, we present Rusconi, JefNeve, Alexander Hawkinsand MarcinMasecki - pianists pushing at the boundaries of traditional piano-led jazz.
The integral place occupied by UK artists within this scene is highlighted with large-scale produced projects from Nikki Iles with the Royal Academy of Music Big Band, Phil Meadows’ stunning new Engines Orchestra, Robert Mitchell’s Invocation – including Panacea, the Bournemouth Symphony Chorus and Goldsmiths’ (Big) Strings – and a special celebration of 100 years of the life of Coleridge Goode, led by Gary Crosby.
Two new family friendly matinees are announced – Supersonics and Family Jazz All Stars featuring Juliet Kelly.
Our announcement is completed by four heavyweight jazz masters Charles Lloyd, HenriTexier and a special Joe Lovano and Dave Douglas tribute to Wayne Shorter.
Click here (and scroll down) to download the full press release.
State of the art American jazz
Derrick Hodge and Jaimeo Brown took Love Supreme Festival by storm on Saturday afternoon - and Derrick and Jaimeo are both in London tomorrow at The Jazz Cafe in a killing double bill.
An essential member of Robert Glasper’s band, Derrick’s deep bass grooves and astonishing technique lie at the heart of a new band that stopped Saturday’s show….and check out the astonishing young drummer Mike Mitchell – a rare chance to hear an undoubted star of the future.
Equally unmissable is Jaimeo’s passionate set building out of the inspiration of gospel choral sounds from the deep south, and featuring one of today’s great saxophone talents, JD Allen. State of the art American jazz…
Tickets are £15 and there'll be a limited number available on the door.
From left: Derrick Hodge, Dave Holland, Jaimeo Brown.